Road To Sangam is a 2010 Bollywood Hindi Movie directed by Amit Rai starring Paresh Rawal, Om Puri, Pavan Malhotra, Javed Shaikh in lead roles. The imaginative plot about the Mahatma’s ashes belatedly being taken out of Allahabad to be scattered in the Ganga gets its strength from the moral frailty of the times that we live in.
This is a small, tender idea, executed with a certain amount of elan and loads and loads of heart. Writer-director Amit Rai’s debut film is a Gandhian parable done up in shades that are at once, pristine, noble, gentle and funny.
Film: ‘Road To Sangam’; Cast: Paresh Rawal, Om Puri, Pavan Malhotra, Javed Shaikh; Writer-Director: Amit Rai; Rating: ***
Miraculously while constructing a heart-warming morality tale, the debutant writer-director manages to keep the tone purely and strictly non-judgemental.
Among the many virtues in this frail but strong tale of two communities that need hard and immediate lessons in co-existence, is the detailed eye for locations. The streets and roof-tops of humble middle class homes in Allahabad are shot by cinematographer Dharam Gulati with a keen eye for the teeming crowds peeping out of ramshackle windows which have seen better days.
The eye used to create the authentic ambience is forever lucid and non-judgemental.
Sandesh Shandilya’s re-worked interpretation of Gandhian bhajans add considerably to a sense of serene sincerity in a work that gently but firmly prods our conscience.
The process of spiritual awakening that the sleepy communally-divided town undergoes when a humble honest motor mechanic Hashmatullah decides to repair the car that would take Gandhiji’s ashes to the sea, is shown to be gradual and persuasive.
In its effort to project a world beyond strife that is obtainable to a more reasonable humankind than visible in today’s divided times, the narrative at times slips into the realm of naive idealism.
No harm in that. ‘Road To Sangam’ shows us that the road to salvation for a wounded and dying civilisation is to cut through the tangled web of politics and religion to try to a find a common ground between the Hindu and Muslim viewpoint without compromising or hurting either.
Paresh Rawal as the simple and obstinate motor mechanic Hashmatullah finds that dithering but comforting ground in his performance.
Hashmatullah is a gentle soul driven by a clarity of purpose that brooks no interference from religious bigots. His cluster of Muslim compatriots opposing his idealistic efforts to do justice to Mahatma Gandhi’s memories often come across as benign caricatures.
Rai portrays the world of religious bigotry as eminently reformable. In this sense, the film’s core could be considered impractical. But the film’s quest to convert the currency of communalism into a molten gold of harmony and peace, is never questionable.
‘Road To Sangam’ is a gentle trip into the heart of a society that has resorted to a collective suspicion and hostility as a form of protestation and self-protection. Without really saying so aloud, this film suggests Gandhism still has the solution and medicine to the spirit of ceaseless strife that grips our society.
The dusty half-formed modern integrally-traditional ambience of Allahabad and Paresh’s deceptively smooth portrayal of the man who must do his duty even if it endangers his life, carry ‘Road To Sangam’ to the region of an important statement on the relevance of Gandhi in today’s age of rage.
There’s a lesson to be learnt from this film. Luckily, we aren’t required to dig too deep into the narrative to procure the message.
Gentle and heart-warming ‘Road To Sangam’ is that rare passionate paean to patriotism that doesn’t resort to flag-waving even once.
REVIEW 2 by CRITICS
- Road To Sangam: Carries a strong message
- Rating: 3.5 out of 5*
- Starring: Paresh Rawal, Om Puri, Swati Chitnis, Pawan Malhotra, Vijay Mishra and Javed Sheikh
- Director: Amit Mishra
The films starts with Tushar Gandhi, grandson of Mahatma Gandhi receiving a box of Mahatma Gandhi’s ashes which have been lying at a local post office for years. He decides to immerse the ashes in the holy river ‘Sangam’ on the banks of Ganga. Then there is Hashmatullah (Paresh Rawal) a simple, god fearing, devout Muslim who is a renowned mechanic who can repair any engine. He is also respected by the local religious associations there and is a contender for the top post. His main rival is a rich man Mohammad Ali Kasuri (Om Puri) who at one time was his friend but due to some differences has become his rival. Also against Hashmat is the local maulvi Maulana Qureshi (Pawan Malhotra). Among Hashmat’s friends are Dr. Banerjee (Javed Sheilh) who though is from a different religion but always is by Hashmat’s side, like a brother. One day Hashmat has been entrusted the job of repairing an old V8 ford engine, not knowing the historic significance that it once carried the ashes of Mahatma Gandhi which were immersed in the holy river ‘Sangam’. He is caught in a complex situation after a powerful bomb explosion rocks his town leading to the arrest of innocent Muslim youths of his locality. A strike to work is called by the prominent leaders, Mohammad Ali Kasuri and Maulana Qureshi, to protest against the unjust treatment meted out to those arrested youths by the police. He supports them but as he comes to know that the engine he is repairing is needed for a procession to immerse Gandhiji’s ashes in a few days, he decides not to join the strike but continue the work on the engine. In return he faces a wrath of fury from his community members. Finally with his nice attitude he is able to convince some of his community people to let him work and they support him. He also convinces the government to change the route of the procession through his area, which is a stronghold of Muslims. Finally the engine is repaired and the procession takes place and muslims greet the procession with open hands and full respect.
Some may find the film as a glorification of Gandhism, but actually its more about ‘not having’ them rather then ‘getting’ them. And that’s the major USP of this films which doesn,t preaches the principles but simply asks whether do you really aware of such thoughts and ideas.
Debutante director Amit rai does a commendable job in making a thought provoking film and equally commendable is the way he has managed to strike brilliant performances from the actors who are anyway brilliant on their own but this film adds more shine to their acting glory where Paresh Rawal is astonishing, Pawan Malhotra as the maulvi is outstanding and Om Puri is brilliant as ever. Swati Chitnis as Paresh’s wife and Yusuf Hussain as Gaffer also provide valuable support.
Filmmaker Amit Rai has succeeded in awakening our dead souls and remind the significance of the great Mahatama Gandhi and his ideologies which are becoming more and more relevant in this age of smart phones and sleek wheels. Watch it for this soul reason.