Ishqiya (2010) Hindi Movie Review

Ishqiya is a 2010 Bollywood Hindi COMEDY Movie directed by Abhishek Chaubey starring Naseeruddin Shah, Vidya Balan, Arshad Warsi and Salman Shahid and others. Ishqiya is a must watch film to start a great 2010.

Ishqiya is a 2010 Bollywood Hindi COMEDY Movie directed by Abhishek Chaubey starring Naseeruddin Shah, Vidya Balan, Arshad Warsi and Salman Shahid and others. Ishqiya is a must watch film to start a great 2010.

  • Ishqiya: Wickedly funny
  • Rating: 3.5 out of 5*
  • Starring: Naseeruddin Shah, Vidya Balan, Arshad Warsi and Salman Shahid
  • Director: Abhishek Chaubey

Review 1 by Film Critics

Two crooks on the run, Khaalujaan (Naseer) and Babban (Arshad) arrive at beautiful widow Krishna’s (Vidya Balan) doorstep. They tell her they were late hubby’s good friends at one point of time. The duo has actually run away from their Jiju Mushtaq (Salman Shahid) after duping him of a huge sum of money and is hiding at Krishna’s house to save their lives from him. But Mushtaq arrives at Krishna’s house and warns them to give back his money in 15 days or face death. The duo then on Krishna’s insistence plans to kidnap a mill owner for the same. Meanwhile, Krishna begins her flirting game with the two. While Khaalujaan loses his heart to her, Babban ends up getting physically involved with her. But then Krishna has her own agenda which the two are completely unaware of which may leave them in a shock!

ishqiya Hindi Movie
ishqiya Hindi Movie

Debutante director Abhishek Chaubey has been a Vishal Bharadwaj assistant for almost all his films and has co-written them as well. This explains the reason why throughout the film you keep getting the film that you watching a Vishal Bharadwaj film. Abhishek has handled the film like a pro and it doesn’t appear his first effort at all. However, he takes a bit of a time before the interval to set things up but post it the grip is tight and narrative just perfect. With the film set in eastern UP, the dialogues are as real as they can get. However, the use of expletives and double meaning dialogues could have been lessened. The smooching scene between Vidya and Arshad is quiet long too.

Naseeruddin Shah is just excellent playing Khaalujaan and you can’t think of anyone else in his place for the role. Arshad playing completely to the gallery is in top form after a long time. Vidya is in a completely opposite role to her recently released Paa pleasantly shocks with her range and uninhibited act. Pakistani actor Salman Shahid last seen in Kabul Express is impressive. The village kid playing Arshad’s buddy is too good.

Vishal Bharadwaj’s music of the film is already topping the charts with the pick of the lot being Dil To Bachcha Hai Jee and Ibn-e-Batuta. Vidya’s hilarious in the Ibn-e-Batuta number.

Watch Ishqiya for its crazy zany characters and excellent direction.

-Sampurn Media

Review 2 by FILM CRITICS

Film: ‘Ishqiya’; Director: Abhishek Choubey; Cast: Naseeruddin Shah, Arshad Warsi, Vidya Balan; Rating: **

‘Ishqiya’ is a very strange film. Strange, not so much in terms of content, unless you really believe there are sleepy dusty towns in north India where boys learn to use a gun before they learn to wash their own bottoms. But in terms of the way the three main characters are thrown against each other in combustions that suggest a brutal bonding between the libido and the landscape.

To cinematographer Mohana Krishna’s credit, he creates in the suburbs of Mumbai(masquerading as Gorakhpur) a kind of sweeping lazy ambience of leisurely self-indulgence.

‘Ishqiya’ is the kind of cinema that you can love or hate, but cannot be indifferent to. The dusty, parched, sexually and spiritually arid hinterland renders itself effectively to the characters. The uncle-nephew pair of Naseeruddin Shah and Arshad Warsi provide the kind of sweaty, grimy male bonding that we saw in Quentin Tarantino’s ‘Inglourious Basterds’.

The two protagonists in ‘Ishqiya’ represent the acme of reprehensibility. Come to think of it, there isn’t one character in the plot whom you can begin to like let alone admire. Like the Naseer-Arsha-Vidya triangle the other characters are either hazy or horny, or both. There’s a businessman who sells steel on the surface and supplies illegal arms underneath. He’s supposed to represent the clan of the corrupt.

Vidya Balan’s Krishna is a conniving victim. And if that sounds like a contradiction in terms, it is purposefully projected into a plot that pulsates with a seedy tension and a freewheeling virile humour.

‘Ishqiya’ is the aesthetic version of toilet graffiti. The writing on the wall is very clear – hate these characters who live by the gun.

How the film finds a central core of gentleness in this milieu of murky machinations is another story. Or maybe it isn’t.

Debutant director Abhishek Choubey tries to create two different worlds, one of criminality and the other of compassion, within one range of vision. It’s a tall order.

Some of the sex and power play among Vidya, Arshad and Naseer’s characters are intriguing and arresting in its swift shifts of dramatic tension from one to the other.

Towards the second overture of this untried symphony of antipathy, the writer and director conspire to create a bizarre climactic spiral involving a shady business tycoon of the area whom our trio of protagonists decide to kidnap.

By the time the kidnapping plan goes horribly awry, the narrative too loses its bearings.

If the film holds you until the end it’s because of the principal performances. Naseeruddin Shah confers a rock-solid tenderness to his ageing criminal-lover’s role.

Arshad Warsi, one of the most underrated actors of our cinema, gets a rare opportunity to sink his skills into a part of a raunchy, randy rogue, out to get the neighbourhood widow to hit the sack.

But the film belongs to Vidya Balan. With a face and eyes that convey a determination to make her way through a rough patriarchal order, Vidya is tender, brittle, cunning and cool – all rolled into a bundle of bewildering emotions that unfold more through her body language than the script. She rises above the self-indulgent realism of the narrative.

A triumph for the actress. But what of the film? How do we evaluate ‘Ishqiya’ beyond its politically-charged, verbally-lurid lunge at realism? Is the film to be applauded for forging a new language of expression? Or should that language have been used with more restrain and tact?

Frankly there are no clear and simple value judgements to be applied to ‘Ishqiya’. It’s partly a homage to the rugged Westerns from Hollywood, and partly an attempt to penetrate the north Indian small-town hinterland where people don’t just live with violence, they even enjoy it.

But did this film have to follow them?

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