Housefull (2010)-Hindi Movie Review

Housefull is a 2010 Hindi movie directed by Sajid Khan with Akshay Kumar, Deepika Padukone, Arjun Rampal, Lara Dutta, Jiah Khan, Riteish Deshmukh in lead roles. Read the film review at CalcuttaTube.

May 3, 2010 (Calcutta Tube): Housefull is a 2010 Hindi movie directed by Sajid Khan with Akshay Kumar, Deepika Padukone, Arjun Rampal, Lara Dutta, Jiah Khan, Riteish Deshmukh in lead roles. Read the film review at CalcuttaTube.

Starring: Akshay Kumar, Arjun Rampal, Ritesh Deshmukh, Deepika Padukone, Lara Dutta, Jiah Khan, Boman Irani and Randhir Kapoor

Director: Sajid Khan

Movie Review by Sampurn

Housefull- Succeeds in entertaining

Rating: 3 out of 5*

After a long painful drought (thanks to the exam season and IPL matches) of plain boring to irritating films arrives Sajid Khan’s Housefull. While in totality it does fall short of being the big great summer entertainer that it is been claiming to be, it however manages to bring many laughs for you. However, eventually it settles down in familiar territory.

Housefull narrates the tale of Aarush (Akshay), a perpetually unlucky bloke and a loser in life who moves into the house of his best buddy cum another loser, Bob (Ritesh) and his wife Hetal (Lara). But things continue to go wrong for Aarush. Convinced that true love can fade away his bad luck jinx, a desperate Aarush enters into many complicated situations while seeking it. Thus enter Sandy (Deepika) and Devika (Jiah) in his life. Things complicate further with the arrival of Sandy’s angry brother Major Krishna Rao (Arjun Rampal) and Hetal’s estranged dad Batuk Patel (Boman Irani). How Aarush and Bob in an attempt to hoodwink Krishna Rao and Batuk go on creating more confusion leading to a mirthful chaos forms the rest of the plot.

Much was expected from Sajid Khan who has been literally claiming from rooftops for weeks now that he has made the year’s biggest blockbuster. Though he has not entirely let us down, you do wish he could have opted for a more innovative plot. The second half ends up being more of an Anees Bazmee film what with characters trying to hide identities and going on a lying spree. Sajid Khan also seems to have taken the slap stick humour bit quiet seriously what with so many slaps happening within the film. A ‘slapathon’ sequence reminding of his Heyy Babyy takes place too. The film loses its tempo with the introduction of Jiah’s character. But thankfully gets it back right in the second half where Akshay and Ritesh’s histrionics to hide the truth from Arjun Rampal and Boman Irani. To give Sajid due credit, he has created many rip roaringly funny situations that are further elevated by his actors. Amongst the most hilarious sequences are most of the scenes featuring Akshay and Ritesh together. They share terrific chemistry. The climax set in the Queen of England’s Buckingham Palace is a laugh riot (literally). The film is high on glamour quotient what with three attractive bodied heroines (Deepika, Lara and Jiah) parading in skimpy outfits most of the time.

Akshay Kumar is back in terrific form, evoking huge laughter with his poker faced humour. Ritesh Deshmukh is another great comic talent who often gets his timing right. Arjun Rampal suits the part and looks dapper. While Deepika looks sizzling hot, Lara manages to score over her in the comedy department. Jiah tries hard and ends up being just about passable. Boman Irani goes over the top as usual. Making a come back on screen after a long gap, Randhir Kapoor playing Jiah’s Sindhi dad doesn’t get much scope. Chunky Pandey is plain irritating playing Akhiri Pasta an Italian hotelier. His fake Italiano accent grates on your nerves.

Shankar Ehsaan Loy’s music perfectly syncs in with the mood of the film. Mika sung foot tapping number Apni To Jaise Taise featuring Jacqueline Fernandez is a sure shot chartbuster and is fun to watch on screen. The editing could have been tighter especially in the first half. Vikas Sivaraman’s camera work is good especially while capturing the Italy locales.

Finally, what makes Housefull a watchable film is the fact that it aims to entertain and succeeds in doing so irrespective of its negative points. Go watch Housefull if you seek pure no hassles entertainment.

-Sampurn Wire

Movie Review by IANS

Rating: ***

This is a sly tongue firmly and stubbornly in cheek, slick and chic comedy about a loser, or a panauti – a word that recurs ad nauseum in this glorious gasbag of giggles, winks, nudges and innuendos packaged with such polished panache that you don’t really care what the inter-relations in the parodic plot finally signify.

Maybe they signify nothing more than a numbing but pleasantly diverting nothingness. But who the heck cares, as long as the tumble of confusions generates a hilarious havoc.

‘Housefull’, as the title suggests, is chockful of characters who bump into one another and into hard surfaces (including the unresolved edges in the plot) without injury. It’s all done in ricocheting rhythms of laughter that rises from the pit of the plot’s belly and moves upwards towards us, sometimes missing its target.

More than the screenplay (Milap Zaveri, Sajid Khan, Vibha Singh) which moves helter-skelter in every direction away from the centre of the plot and just about succeeds in coming to a reasonably coherent conclusion, it is the bevy of characters who are positioned in the screenplay with a supreme sense of pyramidal aptness.

Every actor shines because he or she knows the idea is to have fun and to transmit that fun to the audience. It’s the actors’ responsibility to make the maze of inter-relations hold together. They succeed.

Yes, sometimes the actors seem to enjoy the comedy of energetic error more than we do. Beyond a point how many slap-happy slipping-on-the-floor nudge-nudge-wink-wink oops-we-did-it-again rolling of the eyes biting-of-the-tongue jokes can we take??

But somehow it all holds together. Like a jigsaw done in the pages of a comic book and then put on celluloid, ‘Housefull’ evokes smiles and chuckles in cramped and wide-open spaces.

There is a casino in London where our loser-hero is beckoned to stem losses, a casino waitress (Lara Dutta) whose traditional Gujarati father (Boman Irani, as confidently spontaneous as ever) has disowned her for eloping with a man of her choice, a stern government agent (Arjun Rampal, the only actor who doesn’t get to smile in this chirpy

chuckle-fest), a sexy widow (Lilette Dubey) and assorted characters who come and go in a whoosh of wacky misunderstandings, confused identity and half-resolved comic snarls.

Sajid Khan’s earlier film ‘Heyy Babyy’ was a minty mix of mirth and maudlinism. ‘Housefull’ is a full-on flamboyant farce. Strangely there’s a subtlety even tenderness at times, in the way Sajid Khan handles the satirical material centred on the theme of a loser who brings bad luck on himself so often that he begins to wonder if there’s a method to the madness of his destiny.

Unlike most situational comedies ‘Housefull’ chooses the lower octaves of storytelling. The scale is pitched down. Even when the characters scream their lungs out we don’t wince in discomfort. This is the most well-behaved comedy in recent times with an array of pert but low-key performances.

Stripped of all buffoonery Akshay Kumar does his most delicately balanced comic act ever. There’s a mellow maturity to the way he balances farce with a more underplayed style of comedy. Riteish Deshmukh provides Akshay with the right cues. So do the rest of the actors. Among the three glamorous and sexy ladies Lara Dutta has the best comic

timing. Mention must be made of Chunky Pandey who brings the roof down with his Italian-Punjabi accent and burlesque.

‘Housefull’ looks and feels right. The climax in ‘Buckingham Palace’ (replete with Queen

Elizabeth and Prince Charles look-alikes) depends too closely on a literal outflow of laughter gas. But that’s okay. Delicacy of comic presentation is not a claim that ‘Housefull’ makes. But moments of muffled tenderness just happen in the plot’s confounded journey of a loser from no-love to know-love.

Worth watching for its mix of the wacky and the more tender variety of laughter.


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